To the text

Privacy Policy

This website (hereinafter referred to as "this site") uses technologies such as cookies and tags for the purpose of improving the use of this site by customers, advertising based on access history, grasping the usage status of this site, etc. To do. By clicking the "Agree" button or this site, you consent to the use of cookies for the above purposes and to share your data with our partners and contractors.Regarding the handling of personal informationOta City Cultural Promotion Association Privacy Policy for more information.

I agree

Performance information

Association-sponsored performance

Masterpiece exhibition “Large screen torrent: Reconsidering Ryuko Kawabata’s ‘venue art’”

 

 Starting with the "Ryuko Kawabata Exhibition" to be held in Toyama and Iwate in 2024, an exhibition introducing the painting career of Japanese painter Ryuko Kawabata (140-1885) will continue across Honshu from next year onwards, marking the 1966th anniversary of her birth. A meeting is scheduled to be held. In the future, the number of people wanting to see Ryuko's work on the big screen will continue to grow. Therefore, this exhibition will introduce "venue art," the artistic philosophy that Ryuko continued to pursue, through large-screen works from pre-war to post-war.
 During the Taisho period, Ryuko thought, ``As long as it is displayed on the walls of an exhibition hall, it should appeal to the general public, not just a specific minority,'' and she began to create large-screen Japanese paintings. . After establishing his own art organization, Seiryusha, in 1929, Ryuko argued that it was necessary to pursue ``venue art'' for ``contact between the public and art.'' did. In the 4s, under the disturbing situation known as the "Emergency," Ryuko released a series of large-scale works that incorporated current events, gaining tremendous support from the public.
 This exhibition will feature works such as ``Flower-Tsuming Clouds'' (1940), painted during the Sino-Japanese War, which was turning into a quagmire; ``Garyu'' (1945), a drawing of an exhausted dragon painted in the year the war ended; , Kokaji (1955), which depicts a Noh play, and Sea Cormorant (1963), which was released in the year the Ryushi Memorial Hall opened, expresses spatiality and time. , we get close to the torrent of large-screen displays created by ``venue art'' that sought to bring ``contact between the public and art'' closer.

Related event

Regional collaboration project “Kaze Scented Art Museum Concert”
Date and time: May 5th (Sat) 25:18-30:19
Participation fee: Free Capacity: 50 people
Venue: Ryuko Memorial Hall Exhibition Room

Apply here

About measures against infectious diseases (Please check before visiting)

November 2024, 3 (Wednesday / holiday) to December 20, 6 (Sunday)

Schedule 9: 00-16: 30 (Admission until 16:00)
Venue Ryushi Memorial Museum 
Genre Exhibitions / Events

Ticket information

Price (tax included)

General: 200 yen Junior high school students and younger: 100 yen
*Admission is free for children aged 65 and over (proof required), preschool children, and those with a disability certificate and one caregiver.
*Admission is free on April 4th (Sunday), the day of the 7th Magome Bunshimura Cherry Blossom Festival.

Entertainment details

Ryuko Kawabata, “Garyu”, 1945, owned by Ryuko Memorial Museum, Ota City
Ryuko Kawabata, “The One Who Controls the Ocean”, 1936, Ota Ward Ryuko Memorial Museum collection
Ryuko Kawabata, Echigo (Statue of Marshal Isoroku Yamamoto), 1943, Ota City Ryuko Memorial Museum collection
Ryuko Kawabata, The God of Thunder, 1944, Ota Ward Ryuko Memorial Museum collection
Ryūko Kawabata, Flower-picked clouds, 1940, Ota City Ryūko Memorial Museum collection
Ryuko Kawabata, Small Blacksmith, 1955, Ota City Ryuko Memorial Museum collection
Ryuko Kawabata, Sea Cormorant, 1963, Ota City Ryuko Memorial Museum collection