Performance information
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Performance information
Phase 1: Kazuko Naito Foreign Woman [Thursday, May 2019, 5 to Sunday, August 23, 8]
Phase 2: Yoshie Nakata The Taste of Light [Tuesday, August 2019, 8 to Tuesday, December 27, 12]
Phase 3: Keimei Anzai Gentle Gaze [December 2019, 12 (Thursday) - March 26, 2020 (Sunday)]
Phase 4: Hiroshi Koyama Traveling Sorrow Town [Tuesday, March 2020, 3 to Saturday, June 24, 6]
June 2019 (Thursday) -September 5 (Sunday), 23
In 2019, we will introduce paintings focusing on one artist per term.
The first term is Kazuko Naito.She studied under the master of Japanese painting, Toshihiko Yasuda, and was active as a painter at the Nihon Bijutsuin.
I draw many figures of women I meet in foreign countries such as the Middle East and Europe.
Kazuko Naito "Sand Score"
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Title of work | Writer name | Year of production | サ イ ズ (() | Material / type |
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Sand score | Kazuko Naito | 不詳 | 150 × 213 | Paper book coloring |
Around Lent | Kazuko Naito | 不詳 | 213 × 150 | Paper book coloring |
恍 | Kazuko Naito | 不詳 | 150 × 70 | Paper book coloring |
Hoshisai | Kazuko Naito | 不詳 | 150 × 70 | Paper book coloring |
Dedication | Kazuko Naito | 不詳 | 150 × 70 | Paper book coloring |
August 2019th (Tuesday) -December 8th (Tuesday), 27
The second term is Yoshie Nakada, a Western-style painter who studied under Sotaro Yasui.
She is a painter who paints still lifes and landscapes through windows.It depicts a room full of light with soft feminine colors.
Yoshie Nakada "Still Life" 1991
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Title of work | Writer name | Year of production | サ イ ズ (() | Material / type |
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Desktop flowers | Yoshie Nakada | 不詳 | 116.7 × 91 | Oil painting |
Interior | Yoshie Nakada | 1979 | 80.3 × 65.2 | Oil painting |
静物 | Yoshie Nakada | 1981 | 80.3 × 116.7 | Oil painting |
garden | Yoshie Nakada | 不詳 | 116.7 × 80.3 | Oil painting |
静物 | Yoshie Nakada | 1991 | 80.3 × 116.7 | Oil painting |
Summer garden | Yoshie Nakada | 1963 | 91 × 116.7 | Oil painting |
December 2019, 12 (Thursday) -March 26, 2020 (Sunday)
午前9時~午後10時
In 2019, we will introduce paintings focusing on one artist per term.
The third term is Japanese-style painter Hiroaki Anzai.
Born in 38, Anzai studied under Ryuko Kawabata and was active at Seiryusha for a long time.Anzai enjoys everyday scenery such as the neat profile of a woman who feeds red dragonfly, "Mother" (1936), and the plant "Haruyuki" (1944), which carefully depicts each leaf. I draw a lot of pictures that make me feel like I'm sick.Please appreciate the Japanese painting of Hiroaki Anzai with a warm look.
Hiroaki Anzai "Mother" 1936
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Title of work | Writer name | Year of production | サ イ ズ (() | Material / format (painting method) |
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Mother figure | Hiroaki Anzai | 1936 | 146 × 96 | Japanese painting |
Rain child | Hiroaki Anzai | 1950 | 175 × 360 | Japanese painting |
Dancer's room (1) | Hiroaki Anzai | 1951 | 180 × 135 | Japanese painting |
Haruyuki | Hiroaki Anzai | 1944 | 137 × 173 | Japanese painting |
September 2020th (Tue) to October 3st (Sat), 24.
午前9時~午後10時
In 2019, we will introduce paintings focusing on one artist per term.
The fourth period is a Western-style painter, Hiroshi Koyama.
Born in 2, Koyama studied under Sotaro Yasui, a landlord, and has been active as a member of the Pacific Painting Association since 61.Koyama is a heavy matiere that makes the best use of oil painting, and depicts the streets of Europe such as France and Spain.
Hiroshi Koyama "City on the Cliffs Arcos de la Frontera (Spain)" 1990
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Title of work | Writer name | Year of production | サ イ ズ (() | Material / format (painting method) |
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Marcello Theater (Rome, Italy) | Hiroshi Koyama | 1975 | 112 × 162 | Oil painting |
"City on the Cliff" Arcos de la Frontera (Spain) | Hiroshi Koyama | 1990 | 116.7 × 116.7 | Oil painting |
Afternoon in Toledo (Spain) | Hiroshi Koyama | 1979 | 116.7 × 116.7 | Oil painting |
Street corner of Paris (France) | Hiroshi Koyama | 1981 | 60.6 × 72.7 | Oil painting |
Ronda's old bridge | Hiroshi Koyama | 1983 | 72.7 × 60.6 | Oil painting |
Montmartre Journey (France) | Hiroshi Koyama | 1991 | 60.6 × 72.7 | Oil painting |